Submission
to the Commission for Diversity in the Public Realm
(Chairs: Dr Debbie Weekes-Bernard and Justine Simons
OBE)
“The Master’s Tools Will Never Dismantle the
Master’s House” (Audre Lorde)
This submission is made by way of asking the
Commission to consider the argument that the erection of any new statues or
monuments to individuals should be discouraged and planning permission refused.
At the same time, many existing statues should be removed.
The traditional style of these monuments to
individuals - recently exemplified by
the statue of Millicent Fawcett in Parliament Square - produces a stone or
metal effigy or mummy of a dead person, posed upright, and supported by a
plinth. A horse has often been deployed to add further height.
This traditional mode has been used for centuries by
elites in an attempt to immortalise themselves.
Though the form probably goes
back to the Pharaohs, if not beyond, this kind of grisly monumentalisation has
never been a popular art form and is unlikely to become so even if those
immortalised are changed.
In addition, and as with Heaven and Hell, a binary
choice has to be imposed on history. Either an individual gets a statue or they
don’t. This not only produces endless and inconclusive debates about whether
someone merits a statue but also
obstinately ignores the fact that human beings always have demerits as well as
merits; they may be heroes but they are never saints.
Inevitably, the monumental statue system favours
leaders over followers and gives no recognition to the part played by groups
and movements. When the two are juxtaposed, the effect is sometimes
unfortunate: for example, the juxtaposition of the Cenotaph in Whitehall and
Earl Haig is indefensible. Haig should not be there.
For public graveyards, there are protocols for
clearing them out and starting again. No protocols exist for removing unwanted
statues and it will be no easy task for your Commission to formulate any.
I would urge the Commission to consider the many
limitations of trying to use public space to create public memory and to have
regard in their recommendations to the fact that the world changes faster than
bronze or marble wears out.
Submitted 9 June 2020; acknowledged 13 July 2020.
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